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You are here: Home / Arts / Broadway At TPAC Delivers Sparkling ‘Into The Woods’ Tour

Broadway At TPAC Delivers Sparkling ‘Into The Woods’ Tour

May 25, 2023 by Evans Donnell

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Stephanie J. Block (Baker’s Wife) and Sebastian Arcelus (Baker)

Tennessee Performing Arts Center has had many touring companies on Jackson Hall’s stage since 1980. Having attended more shows there than I can numerically recall, there have certainly been performances where a touring company’s “straight from Broadway” billing wasn’t justified in terms of the actors on that stage. This week’s sparkling visit from the “Into the Woods” revival troupe does deserve that paramount promotion, however – it is a high-quality delight from start to finish.

The 1987 Stephen Sondheim (music and lyrics)/James Lapine (book) post-modern take on European fairy tales has its fun but grows, well, a little grimmer in its pursuit of the point that happy endings depend on when the story stops – and that we are all responsible for one another. It’s a good thing that “Into the Woods” doesn’t end with its first act, for the poignant emotions stirred by such Act II songs as “No More,” “No One Is Alone,” and “Children Will Listen” are truly a rewarding coda.

Montego Glover (Witch)

Two acts and a 20-minute intermission make this production a three-hour experience, but the time flies by thanks to the quality of the cast, the compassionate vision of director Lear deBessonnet (who helmed this 2022 revival for New York City Center’s “Encores!” concert series and on Broadway), the entertaining choreography of Lorin Latarro, and the onstage top-tier mix of 16 touring or local musicians conducted by music director John Bell.

If you saw this show before it closed on Broadway in January you’d have essentially seen the performers assembled for this 10-city engagement tour. And in the case of Tony Award and Olivier Award-winning actor Gavin Creel (whose tremendous talents are on full display as the Wolf and Cinderella’s Prince),  David Patrick Kelly (absolutely on-point as the Narrator and the Mysterious Man), and Kennedy Kanagawa (Milky White’s wonderfully demonstrative actor/puppeteer) you’d have seen performers who appeared in “Into the Woods” at both New York City Center and the St. James Theatre.

Katy Geraghty (Little Red Ridinghood)

Real-life wife and husband Stephanie J. Block (a Tony winner for “The Cher Show“) and Sebastian Arcelus bring their personal chemistry and superb professional singing and acting talents to the roles of the Baker and his wife: “It Takes Two,” indeed. Katy Geraghty is a real hoot as Little Red Ridinghood, and her Broadway Belt is as good as her comic timing. Cole Thompson makes your heart ache as sweet, simple Jack; Aymee Garcia as Jack’s long-suffering mother pulls at those heartstrings too. And Montego Glover‘s Witch? Her acting and singing are so powerful you’ll truly believe her magic from start to finish. “Children Will Listen” and so should we all to this superlative player.

Every other member of this cast deserves praise as well. Diane Phelan’s compassionate Cinderella; Nancy Opel’s not-so-nice Stepmother; Ta’Nika Gibson and Brooke Ishibashi’s spoiled Lucinda and Florinda; Jim Stanek’s stolid Steward; the “Agony” of Jason Forbach as Rapunzel’s Prince; Alysia Velez as his towered damsel in distress Rapunzel; Felicia Curry’s tasty triple as Granny/Giant/Cinderella’s Mother; and Josh Breckenridge’s animated turns as a puppeteering flock of birds and as Cinderella’s Father.

Jason Forbach (Rapunzel’s Prince) and Gavin Creel (Cinderella’s Prince)

Bountiful birch trees line David Rockwell’s enchanting set while Tyler Micoleau’s lighting ably shifts us from the lighter to darker shades of this performance. So happy with the sound designs of Scott Lehrer and Alex Neumann: making essential amplification that calls no attention to itself is a true art. Other artisans for this production – including costume designer Andrea Hood; hair, wigs, and makeup designer Cookie Jordan; and puppet designer James Ortiz – bring their plentiful talents to bear on aspects of this show that add more grace, charm and vitality to this splendid tour.

If there’s any chance you can go to this “Into the Woods” before it leaves Nashville I strongly encourage you to do so. It will be a pleasant memory for all that see it “Ever After.”

Aymee Garcia (Jack’s Mother), Cole Thompson (Jack), and Kennedy Kanagawa (Milky White)
Nancy Opel (Cinderella’s Stepmother), Diane Phelan (Cinderella), Brooke Ishibashi (Florinda), Ta’Nika Gibson (Lucinda), and Gavin Creel (Cinderella’s Prince)

The national tour of “Into the Woods” continues in TPAC’s Andrew Jackson Hall through Sunday, May 28. For times and tickets please click here.

(All photos courtesy TPAC and the “Into the Woods” tour. Photos by Matthew Murphy and Evan Zimmerman.)

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Filed Under: Arts, Reviews, Theater

About Evans Donnell

Evans Donnell wrote reviews and features about theater, opera and classical music for The Tennessean from 2002 to 2011. He was a webmaster, writer and editor for the original StageCritic.com site (2004-2011) as well as now-defunct ArtsNash.com and NashvilleArtsCritic.com sites from 2012 through 2018, where he additionally wrote about film. Donnell has also contributed to American Theatre magazine, The Sondheim Review, Back Stage, The City Paper (Nashville), the Nashville Banner, The (Bowling Green, Ky.) Daily News and several other publications since beginning his professional journalism career in 1985 with The Lebanon (Tenn.) Democrat. He was selected as a fellow for the 2004 National Critics Institute at the Eugene O’Neill Theater Center, and for National Endowment for the Arts (NEA) arts journalism institutes for theater and musical theater at the USC Annenberg School for Communication and Journalism in 2006 and classical music and opera at the Columbia University School of Journalism in 2009. He has also been an actor (member of Actors Equity Association and SAG-AFTRA), founding and running AthensSouth Theatre from 1996 to 2001 and appearing in Milos Forman's "The People vs Larry Flynt" among other credits.

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