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Evans Donnell, a once and future critic

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An Appreciation: Tennessee Playwrights Studio Reveals Humanity Beyond Headlines In ‘That Woman’ Presentations

July 19, 2022 By Evans Donnell

Sixty years ago politicians’ private lives were basically off-limits as far as most of the press was concerned. The 35th President of the United States, […]

Film Review: Warm and Funny ‘Phantom of the Open’ Is a Dreamer’s Delight

June 28, 2022 By Evans Donnell

“No, we are all in the gutter, but some of us are looking at the stars.” — Lord Darlington in Act III of Oscar Wilde’s […]

Film Review: Mirren, Broadbent and Company Ennoble ‘The Duke’

May 5, 2022 By Evans Donnell

For decades the Brits have seemingly cornered the market on films about eccentrics. real and imagined; they typically produce entertaining cinema around such unconventional folks […]

Nashville Playwright Cynthia C. Harris’ ‘The Calling Is In The Body’ Among 2022 Actors Bridge Ensemble Selections

November 19, 2021 By Staff Reports

NASHVILLE, Tenn. – Actors Bridge Ensemble (ABE) has today announced its 2022 Season which will include THE VAGINA MONOLOGUES by Eve Ensler, TINY BEAUTIFUL THINGS […]

Theater Preview: Pipeline-Collective Joins With NECAT For Live Theatrical Event That Offers 12 Hours ‘Outside Of Here’

September 22, 2021 By Evans Donnell

NASHVILLE, Tenn. – Imagine a live theatrical broadcast/online experience that offers 32 of Nashville’s finest actors with a “Groundhog Day“-like twist on the COVID age. […]

August Wilson’s ‘Jitney’ With Kamal Angelo Bolden & Brian Anthony Wilson Kicks Off 2021 Summer Shakespeare Festival

August 9, 2021 By Evans Donnell

Nashville, Tenn. – August Wilson’s “Jitney” opens Nashville Shakespeare Festival’s 2021 Summer Shakespeare Thursday with two well-known TV and film actors leading an accomplished cast, an […]

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Recent Posts

  • An Appreciation: Tennessee Playwrights Studio Reveals Humanity Beyond Headlines In ‘That Woman’ Presentations
  • Film Review: Warm and Funny ‘Phantom of the Open’ Is a Dreamer’s Delight
  • Film Review: Mirren, Broadbent and Company Ennoble ‘The Duke’
  • Nashville Playwright Cynthia C. Harris’ ‘The Calling Is In The Body’ Among 2022 Actors Bridge Ensemble Selections
  • Theater Preview: Pipeline-Collective Joins With NECAT For Live Theatrical Event That Offers 12 Hours ‘Outside Of Here’
  • August Wilson’s ‘Jitney’ With Kamal Angelo Bolden & Brian Anthony Wilson Kicks Off 2021 Summer Shakespeare Festival
  • Pictorial: ‘Finding You’ Film’s Red Carpet Franklin Screening
  • Nashville Ballet’s ‘Nutcracker’ Broadcasts Begin This Week
  • Theater Review: The Loving Grace of Good Art in Nashville Rep’s Relevant ‘A Streetcar Named Desire’
  • Theater Review: A Handsome ‘My Fair Lady’ Revival Tour
  • Theater Review: The ‘Ravaged Wasteland’ of Nashville Shakespeare Festival’s Intriguing ‘Macbeth’
  • #HAM4HAM Nashville Digital Lottery For Dec. 31-Jan. 19 TPAC ‘Hamilton’ Run Begins This Sunday: 40 $10 Tickets Per Show
  • Theater Review: God Bless You, Merry Nashville Rep! ‘A Christmas Carol’ For Yesterday, Today and Tomorrow
  • Theater Review: NCT’s ‘Auntie Claus’ Is a Glittering Gift
  • An Appreciation: Laughing Through The Tears At Nashville Rep’s Rhythmic Rendition Of ‘Every Brilliant Thing’
  • Theater Review: ‘Return To Sender’ Is A Superb NCT World Premiere Where Humanity Takes Center Stage
  • Film Review: Renée Zellweger Beautifully Flies Over the Rainbow in ‘Judy’ Bio Drama
  • Theater Review: So Happy They’re Still Here As Delightfully Droll ‘Urinetown’ Opens 35th Nashville Rep Season
  • ‘Dear Evan Hansen’ Has $25 Digital Lottery For TPAC Run
  • Theater Review: Thrills and Love in Entertaining Chaffin’s Barn ‘Sherlock Holmes: The Final Adventure’ Presentation
  • Theater Review: Nashville Shakes’ ‘Tempest’ Is Feeling Good
  • Pictorial: ‘Bennett’s War’ Nashville Red Carpet Screening
  • An Appreciation: Plenty of Smiles From Chaffin’s Barn’s ‘Annie’
  • The Virtue of Active Listening at Nashville’s Destiny Theatre Experience, Actors Bridge Ensemble and Pipeline-Collective
  • Review: The Terrible Cost Of Inhumanity In Searing ‘Maidens’
  • Film Review: The Pain & Peace of Connecting in ‘Luke and Jo’
  • An Appreciation: Nashville Opera Powerfully & Poignantly Reminds Us That “The Cradle…” Still Rocks 82 Years Later
  • An Appreciation: Betty Buckley, Lewis J. Stadlen & Company’s Swell, Splendid, Stupendous “Hello, Dolly!”
  • What’s Old Is New: A Note About This Site

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